In a hurricane-ravaged city, the discovery of a mysterious body reopens the investigation into a long-missing European painting, leading four lives to intersect and be forever altered. This beautifully woven literary noir is a provocative meditation on both the art of power and the power of art.


A man arrives in post-Katrina New Orleans, looking to solve the mystery of a missing painting and a related murder. What he finds is nothing less than love, sacrifice, survival, genius, depravity, and hope… In this novel, Blackwell has created a vibrant amalgamation of mystery, classic noir, erotica, and ekphrasis. The novel’s greatest strength is how it imbues both the loftiest and the seediest moments with grandeur and pathos without being overwrought or overwritten. An artful, gritty love story, eulogy, and survivor narrative for the city of New Orleans post-Katrina.
Kirkus (starred review)

The authenticity of Blackwell’s New Orleans experience is clear on every page, from the bars the characters frequent to the sense of a city rebuilding itself … will grip readers and keep them turning pages.
Publishers Weekly

A restrained and lovely work, admirably resistant to melodrama, punctuated by moments of sublime insight.
USA Today

The Lower Quarter is a riveting narrative about crime, art, violence and renewal in a city that embodies all four.

The deft unfolding of the underlying mystery is rich with characterization and atmosphere and can be appreciated by a wide range of readers.
Library Journal

Elise Blackwell’s fifth novel The Lower Quarter deals in art, which is apt because the novel itself is artful. Told through four interwoven points-of view, set against the backdrop of Katrina-ravaged New Orleans, this tale could easily tip towards melodrama. But that is where the artfulness of the work itself rests—in the telling, in the careful control of details, in the finely wrought characters… As with any great work of art, this book will teach you. Certainly, you will learn about New Orleans history and geography, about art and its underbelly, about many things. But you will also learn about people, the human condition, and what we do to continue living, to move on, and to repent.” storySouth

The novel is a compelling blend of character and setting, without either overwhelming the other. Fans of literary mysteries should love The Lower Quarter.
New York Journal of Books

Blackwell is a sure-handed writer who leads the reader through the plot like a skilled guide showing someone the best path through a dense forest. You won’t get lost. And you won’t fail to understand the central themes of revenge and redemption. Just as New Orleans is seeking to heal from Katrina, these people in the French Quarter are looking to heal their own wounds.
New Orleans Advocate

The Lower Quarter is a beautifully written book. Elise Blackwell’s work has always been intelligent, nuanced, and finely wrought, but The Lower Quarter is her best novel yet: a mesmerizing story of art, resilience, and life after catastrophe.
—Emily St. John Mandel

The Lower Quarter is noir at its noirest best: dark, fast-paced, sexily exciting, and beautifully written. Pick it up and I dare you to try putting it down.
—Benjamin Black

A deft and vivid portrait of post-Katrina New Orleans, The Lower Quarter flirts along the edges of noir, gets its feet wet, and then returns to offer us the satisfactions of vivid characters complexly and convincingly drawn. This book is about what happens if you pay attention to the real story instead of just reading the tabloid headlines.
—Brian Evenson

A bedazzling southern noir set in post-Katrina New Orleans, The Lower Quarter catches us up in the tangled paths of four individuals, each haunted by a brutal past. While expertly unraveling her characters’ intertwining stories, Elise Blackwell in her highly atmospheric new novel powerfully conveys the endlessly destructive legacy of violence and the redemptive beauty of art.
—Jenny McPhee

In Elise Blackwell’s new novel The Lower Quarter, place comes alive as it all too rarely seems to in fiction or for that matter any other genre. Every time I put the book down for a few minutes, I had to look around and get my bearings, because I’d been in another world. The characters here are every bit as real as their environment, and I became absorbed in their lives. My admiration for this beguiling book and its talented author is unqualified.
—Steve Yarbrough